Eddington: A Review - The Madness of Covid...and a Lot of Other Things

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 4.25 out of 5 stars

My Recommendation: SEE IT NOW.

Eddington, written and directed by Ari Aster and starring Joaquin Phoenix, hit theatres way back in July…but I only just saw it this past weekend…and I have a lot of thoughts.

The film, which bills itself as a “neo-Western dark comedy thriller”, tells the story of the fictional town of Eddington, New Mexico and the personal and political trials and tribulations it faces during the Covid pandemic.

Ari Aster is a filmmaker of whom I think highly – so why didn’t I see Eddington until this past weekend? Well, Aster’s first two films, Hereditary (2018) and Midsommar (2019), were really top-notch elevated horror movies that I loved, but his third feature, Beau is Afraid (2023), was a film that was so affecting that I literally could not watch it all the way through. In fact, I tried multiple times to stream Beau is Afraid and each time I made it roughly 30 minutes in and bailed.

To be clear, I am not saying Beau is Afraid is a bad movie (it might be but I can’t judge after watching only 30 minutes of it - twice), what I am saying though is that it was so affecting that I had a terribly uncomfortable visceral reaction to it – the reasons for which even I am not completely clear on (paging Dr. Freud!!) – so much so that I had to stop watching. This is something that has never happened to me before (or since).

So, when Eddington came out this past Summer, I thought that seeing it in the theatre was not a priority because I might want to bail on this one too. And so…all these months later when it is now available on VOD, I rented it for $4 and watched it. And oh boy…am I ever glad I did!

Eddington is the very best film I have seen this year, and it isn’t even remotely close. It is incredibly smart, insightful, bold, brave and brilliant.

This film is once again very affecting…even uncomfortably so…but it is such a compelling and dynamic film that it is impossible to turn away from it…even when you want to.

One of the reasons you may want to turn away from Eddington, is because it so expertly recreates the Covid experience – both socially, personally and medically, in such visceral and palpable ways that watching it literally feels like having a Covid fever dream.

Ari Aster masterfully captures the disorientation of the Covid era, which felt like an assault on our senses, psyches and souls. This disorientation from Covid (both the disease and the cultural reaction to it) created rampant hysteria and mania that spread like wildfire during the insanity of the Covid era. Ultimately, that hysteria is the true pandemic that thrives to this day having lived long after the disease of Covid has faded into distant memory.

Eddington is a comedy, a thriller, a horror movie and a political satire, but above all else it is an indictment. The indictment of how foolish and gullible and easily manipulated we all are. How even now we suffer from such aggressive cognitive dissonance that the excesses of the Covid era, and the worst offenders of Covid hysteria (and the accompanying BLM mania) have never been forced to acknowledge their egregious and calamitous errors, never mind pay for them.

As time passes and we gain more distance from the lunacy and imbecility of our current age, Eddington, with its sharp and incisive criticisms, will age like the finest of wines. The film’s insights will become more profound over time for those with eyes, and the intellectual courage, to see them.  

As you may have noticed I have intentionally avoided any and all plot points for Eddington, and that is because I think it is best watched with as little information known about it as possible. That said, I will try and convey my appreciation for the film despite my strict spoiler limitations.

First of all, Joaquin Phoenix, who plays protagonist Sheriff Joe Cross, gives a stellar performance. Phoenix is brilliant, his Sheriff Joe is a stew of subdued defiance and fury mixed with smoldering self-righteousness that often curdles into hubris.

Phoenix is the great actors of our time and he creates a deliciously complex character in Sheriff Joe, that is so captivating and subtly magnetic that it is a marvel. And Phoenix’s ability to convey physical ailments is truly stunning – and I will say no more about that.

The rest of the cast, which features Pedro Pascal, Emma Stone, Deirdre O’Connell, and Austin Butler, all have smaller roles but do exceptionally noteworthy work. Pascal, in particular, is an actor who can often grate, but his unlikability is used to great effect in the film. Stone’s role is small but she is completely bought into it and does exceptional work despite minimal screen time.

Cinematographer Darius Khondji does his very best work on Eddington, using the high desert landscape and the small-town setting to great effect. He also deftly paints with a deft palette and masterfully frames his shots throughout – heightening the drama.

The real star of Eddington though is writer/director Ari Aster. It took balls the size of watermelons to make this movie and Aster has them. He has been pilloried by many critics for Eddington, but I think that has more to do with the perceived politics of Eddington rather than the filmmaking skills on display from Aster. I also think many critics are among those who so wholeheartedly embraced the Covid and BLM hysteria and are so ravaged by cognitive dissonance that they aggressively resist any notions of coming to grips with how foolish they look in hindsight.

The reality is, is that the “conspiracy theorists” were right all along…and still are…or at least they’re more right than the buffoons who think “conspiracy theorist” is a derogatory term. The most amusing thing that has happened in the last five or six years has been that tinfoil hats have been transformed from objects of ridicule into crowns of knowledge and wisdom – worn proudly.

To be fair, the “conspiracy theorists” are closer to the truth than the normies…but they still are a far way off from the truth. The conspiracy theorist’s real enlightenment comes from the fact that they understand the one undeniable fact that “normies” are loathe to admit…that the “official” story is, always and every time, a lie. And Eddington is one of those rare movies that not only acknowledges that fact…but aggressively embraces it.

The unacknowledged mantra of the dystopian digital age is – “The map is not the territory” – as our culture is so detached from the territory of reality because they have their noses buried in the map…their phones. Because of this fact we as a people are easily manipulated – emotionally, mentally, politically, and Eddington is a film that slaps us across the face in an attempt to wake us from our technologically induced stupor – and it does so with cinematic and dramatic aplomb.

You may not want to see Eddington, but trust me when I tell you…you NEED to see Eddington, you NEED to absorb Eddington, and you NEED to eventually accept what Eddington is teaching you.

Make no mistake, Eddington is thus far the very best film of the year…and is also the most important film of the year, if not the decade.

©2025

TWIB Notes: Kirk, Kimmel and the Kommissars of Speech

This Week in Bullshit - TWIB NOTES

TWIB Notes this week is chock full of hot topics, but the main theme is freedom of speech. So…let’s get to it.

CHARLIE KIRK

Charlie Kirk, the Republican firebrand made famous for his on-site debates with college liberals, was assassinated on September 10, 2025 on the campus of Utah Valley University.

At the time of his killing Kirk was doing his thing…debating in public with less-than-intellectually-stellar liberals enraged by his political philosophy and their inability to navigate his debating style.

As someone who tries to spend as little time on social media as possible Charlie Kirk was not exactly someone I spent much time thinking about prior to his death.

I had seen a bunch of videos of him and he struck me as a talented political matador who would get coddled liberal fools into a frenzy by waving a red cape in front of them and then effortlessly dance around them as they furiously charged at him.

Watching Charlie Kirk get shot in the neck on video was a deeply unsettling thing. Watching many seemingly normal, regular liberal people react to Kirk’s death with unabashed glee was even more unsettling.

Look, I get that people were offended by the things Charlie Kirk said and believed…despite the fact that what he said and believed did not offend me…but what I don’t get is why people would cheer some dude who is not even in power, is not a politician, and controls next to nothing, getting killed in public.

The reaction to Kirk’s death, from lots of regular people and from the media, was disgusting. People cheering his slaughter are not just vile – but deeply sick. Why can’t we just disagree with someone politically and let that be enough? Do we really need to hurt them? To kill them? To spill blood? Good Lord.

The media response was even more ridiculous. I never watch cable news…the last time I did was when Trump was shot in the ear during the campaign, but watching CNN after Kirk’s assassination was a jaw-dropping experience.

The entirety of the coverage I watched on CNN was concern not over political violence and the killing of Kirk, but of the danger of how right-wingers responded. You would’ve thought that right-wingers being pissed that one of their own got gunned down were a major threat to civilization. When you contrast this with the “mostly peaceful protests” coverage of the George Floyd riots then you see how absurd and inane and totally tone-deaf it all is.

As for the actual assassination of Kirk I have a few thoughts…first off…I don’t know what happened…who shot what and from where and for what reason…but I do know this…the official story is, without question, absolute horseshit.

They’ve already come up with a new “magic bullet” theory and have exalted Charlie Kirk into a super-Saint with bones of steel that cannot let bullets pass through them and allowed him to save others while being killed himself…just absurd. The big question is - how does a guy get shot with a high-powered rifle and not have an exit wound? What the fuck is that all about?

Then there’s the indictment, which if you read it is riddled with inaccuracies and fallacies. And then there’s the unbelievable bullshit that is the text exchange from the alleged shooter to his alleged trans lover/roommate that feels like a fabrication from start to finish. And then there’s the “video coverage” where we see the alleged gunman but never with a gun and never in the place he was said to have done the shooting.

The bottom line regarding this assassination is that conspiracy theories will flourish around it (they already have) but they will only obfuscate the truth – which is most likely a very nasty conspiracy all its own.

Whatever comes out of this fucking pathetic and ridiculous FBI in the coming weeks and months, do yourself a favor and don’t believe a word of it.

JIMMY KIMMEL

Back in July I wrote a TWIB Notes column that touched upon the cancellation of the Stephen Colbert Late Night show at CBS and finished my discussion of that topic with the prediction “Colbert is not the last to get the boot…in fact, he’s only the first. Fallon, Meyers and Kimmel are dead men walking…and I have to say that unlike their comedy, that is something that makes me laugh.”

Well, well, well.

Jimmy Kimmel was suspended by ABC after saying that right-wingers were doing everything they can to make it seem like Charlie Kirk’s killer wasn’t one of them….or something to that effect.

Kimmel has always been a mystery to me. I never once saw The Man Show, and have never once during its entire 22-year run watched a single episode of Jimmy Kimmel Live.

The few times I’ve seen Kimmel, liked when he hosts an awards show, I have found him to be aggressively unfunny. He is not only devoid of comic ability but he’s also blessed with the charisma of a fly on week old shit.

The left has been more horrified by the suspension of Jimmy Kimmel than they were by the killing of Charlie Kirk…which to be honest is the funniest Jimmy Kimmel related thing to ever happen.

Right-wingers, ever true to their values (wink-wink), are ecstatic over Kimmel’s suspension and hope it is a permanent firing.

The reality is that Kimmel is not, and never has been, a free speech warrior. He, like many liberals, is only interested in his speech being free, and those that disagree with him being silenced.

Right-wingers who were so outraged by woke cancel culture during the Biden years, have spent their first year back in power going full on right-wing woke and cancelling anyone and anything that is even remotely anti-Zionist. By the way…Democrats have not done a single thing to stop the Republican jihad against anti-Zionists, they have in fact, encouraged it.

Kimmel, of course, would never say a bad word about his paymasters so Israel is not a topic he would ever discuss…so there’s a good chance he gets his gig back after a hiatus (his suspension was lifted a few hours after this article was originally published).

But the truth is this…regardless of politics or anything like that, late night talk shows are going away. None of them make money and none of them are worth the cost. All of their ratings are in the toilet and none of them hold any cultural cache anymore.

The other day I happened to watch an old clip of Norman Mailer and Gore Vidal having a half hour long cat fight on The Dick Cavett show some fifty-odd years ago.

The level of intellect, eloquence and the depth of that discussion was staggering compared to the toxically empty calories currently being fed to the public on cable news and late-night talk shows. Seeing American intellectuals like Vidal and Mailer go at each other was invigorating and depressing…invigorating because they were such sharp minds, and depressing because not only do we not have those types of debates anymore – we don’t even have intellectuals anymore.

Ultimately, whether Kimmel stays or goes is utterly irrelevant….which brings us to…

THE KOMMISSARS OF SPEECH

What makes the Kimmel case so interesting is that the allegation is that the government, at the behest of Trump himself, pressured ABC to suspend/cancel Kimmel. That action is, obviously, in direct violation of the First Amendment which guarantees the right to freedom of speech – and is remarkably similar to what the Biden administration did with social media companies in trying to silence dissent and debate over Covid policies and vaccines. Hmmmm.

But here’s the rub in the free speech debate…the debate over free speech is long over and free speech has most certainly lost.

For years we have been reduced to free speech debates in this country amounting to little more than “free speech for me but not for thee!”. So we get liberals wanting to cancel people who say things they don’t like, or in the case of Covid – people who don’t get vaccinated, and then we get right-wingers (notice I don’t call them conservatives because they conserve nothing but their own hypocrisy) doing the exact same thing – trying to ban flag burning, anti-Zionism, protests etc.

The truth is that freedom of speech was killed long ago. This past year we had a big furor because Trump was pissed at 60 Minutes and Paramount caved to the pressure in order to get a merger approved. But since we are so historically illiterate in this country no one seemed to remember this drama played out before with very similar results…back in the 1990’s when 60 Minutes refused to air a story that was highly critical of Big Tobacco for fear of lawsuits and loss of ad revenue. They made an excellent movie about that incident called The Insider…you should go watch it if you’ve never seen it – Michael Mann directed it and it stars Al Pacino and Russell Crowe.

60 Minutes has, for the last quarter century at least, but nothing but an intel community and military industrial complex mouthpiece that spews the most vacant and vapid of propaganda imaginable…it has been co-opted and is now a nefarious and insidious media machine that routinely deceives and divides.

Remember when the liberal New York Times were used as a propaganda weapon by the Bush administration in deceiving the populace regarding the threat from Iraq? I do.

I also remember when the liberal New York Times held a story about the Bush administration’s illegal surveillance of Americans for over a year until after Bush’s re-election. I also remember when the liberal New York Times refused to use the word torture and instead used the word “enhanced interrogation” at the behest of the Bush administration. I remember those things…but I am apparently in the minority.

Back in my day liberals dedicated to the value of free speech were rightly horrified when Big Tobacco silenced 60 Minutes, and when the Bush administration set-up “free speech zones” for protestors…the name of which more than implies that there are places in America where free speech is not allowed, and used Judith Miller as a pro-war propagandist.

But many of these same liberals were as silent as the grave while Saint Obama used the Espionage Act more times than every other president combined to prosecute whistleblowers and reporters.

These same liberals stayed silent when, under Obama, Edward Snowden was forced from his country after revealing the illegal surveillance state we all lived under. And were just as silent when, under Obama and Biden, Julian Assange was imprisoned for the crime of revealing the war crimes of the American government.

Freedom of speech was long a lynchpin of the liberal movement, but because many liberals who love freedom of speech stayed silent when Obama gutted our right to it, they then were conditioned to more easily sell out their values and ideals regarding speech in favor of genuflecting to the woke mob when it rose to prominence. Quickly over the span of less than a decade - freedom of speech was gone and in its place was the banner of being against “hate speech” – literally and figuratively. Liberal disdain for freedom of speech disintegrated so quickly and thoroughly that even the ACLU has disavowed it in purpose and practice.  

“Hate speech” (which is ironic considering it can be interpreted as meaning to hate – speech) became the favorite talking point of liberals everywhere…and I warned that labelling things hate speech, and wanting to ban hate speech, would lead to the destruction of free speech – but liberals didn’t care that they, as I told them, would eventually be hoisted on their own petard…or as I called it – foisted on their own retard!

Right-wingers have long made no bones about their desire to curb freedom of speech, but then freaked out when woke liberals wanted to curb right-wing speech.

And so, the cycle will continue on and on forever until some douchebag centrist (maybe Pete Buttigieg!!) comes along and Obama-style makes a compromise that in order to clamp down on hate speech and political violence we will do away with freedom of speech altogether. It’ll be just like the healthcare debate where a public option is never discussed and the big business republican option is the only option – thanks Obama!

To tie this up in a very messy bow, woke liberals have made the argument that hate speech is violence, and when speech is violence then it is logical to use actual physical violence to silence it…and thus we get Charlie Kirk not just being murdered, but his killing being celebrated.

I have long written on this subject (and will link some of those articles below), most notably about the argument from liberals in the wake of Trump’s first election about the efficacy of “punching Nazis”. Of course, the problems with punching Nazis are numerous…like who gets to decide who is a Nazi? And what if someone decides you’re a Nazi? And are Nazi’s allowed to defend themselves…and more so…can Nazi’s – like liberals punching – proactively defend themselves? And finally…punching people you label Nazis will only escalate into ultimately shooting people you label Nazis – people like Charlie Kirk.

Speech is not and never will be violence…violence is violence…and the only people who claim speech is violence are the ones who haven’t been punched in the face.

The bottom line is this, current free speech debate is a farce because both the left and the right have long ago sold out their ideals regarding speech and instead have used their power to silence their enemies.

The war for freedom of speech, and frankly the war for any of our “freedoms” is long over…and we all lost. The aristocratic oligarchy and intelligence and military industrial complex and globalist corporatocracy have won and now keep us as slaves in what is essentially an open-air surveillance state prison.

So fuck Jimmy Kimmel, and fuck 60 Minutes, and fuck the mainstream media and fuck social media and fuck our politicians and fuck the myopic fools who bought into the two-party system and all of its homicidal lies.

And fuck all of us while we’re at it…because we are just as much to blame for this disaster as anybody.

Charlie Kirk is dead and Jimmy Kimmel is out of a job…and the cold hard reality is that there are going to be many more who face a similar fate….and don’t kid yourself…there’s nothing we can do about it.

Links-

Weird Scenes Inside the Gold Mine

Caesar Americanus

The Tragedy of Charlottesville

Punching Nazis

©2025

R.I.P. Robert Redford: The Sundance Kid Once Saved Cinema

Robert Redford, the iconic movie star, filmmaker and Sundance Institute founder, died yesterday at the age of 89.

As gigantic a movie star as Robert Redford was…and he was a monumental movie star, particularly in the 1970’s, the most important thing about him is what he did for, or to, the film industry with his creation of the Sundance Institute and the Sundance Film Festival – which he took over in the mid 1980’s.

It is impossible to imagine the depths to which filmmaking would have fallen if Redford had not built Sundance, the place where “independent” filmmakers could develop and then show their films.

Without Sundance, the renaissance of cinema in the 1990’s, which includes the emergence of such filmmaking luminaries as Quentin Tarantino and Paul Thomas Anderson, would never have occurred.

Did Sundance quickly go from being sanctified and deified to becoming corporatized and commodified? Yes, it did. And is it now little more than a movie business version of the red-light district in Amsterdam? Yes, it is. But that doesn’t diminish its original importance or the good it did for cinema back in the early days…and it is crucial that we do not forget that when remembering Robert Redford.

As for Redford the actor, he was an impossibly handsome leading man who was gifted with a tendency toward stillness (a skill few actors possess) and the ability to share the screen with other actors with a charming effortlessness.

Redford was a good movie star, good enough that he could unflinchingly share a screen with Paul Newman, one of the biggest movie stars of all-time, for two memorable movies – Butch Cassidy and the Sundance Kid, and The Sting.

He was also a good and often underrated actor, who could comfortably share the screen with acting luminaries like Dustin Hoffman and Meryl Streep.

Redford, with his all-American good looks and stoic demeanor, resembled an old school movie star from the studio system but who hit his heights during the glorious age of the New American Cinema in the free-wheeling 1970s.

Redford catapulted to enormous fame in 1969 when he starred with Paul Newman in Butch Cassidy and the Sundance Kid – what some have called the perfect movie.

Butch and Sundance – with their snarky bromance, are essentially the template for every action comedy and Marvel movie of the last 50 years. You don’t get the Lethal Weapon, Die Hard and Marvel franchises without Butch and Sundance and their witty quips to one another under fire.

Butch Cassidy and the Sundance Kid really is a remarkable movie in that it is pure movie star popcorn entertainment but its shot with a glorious aplomb by Conrad Hall – and directed with verve by George Roy Hill.

Redford and Newman’s chemistry is legendary, and while many have tried to replicate it – like George Clooney and Brad Pitt, none have succeeded. The problem with Clooney and Pitt trying to be Newman and Redford is that Pitt is not Redford - despite Hollywood’s determination to make it so, and Clooney sure as shit ain’t Newman, no matter how much Clooney tries to pretend otherwise.

Redford’s filmography is, not surprisingly considering the length of his career, a mixed bag.

His best/most popular films are most certainly Butch Cassidy and the Sundance Kid, Three Days of the Condor, All the President’s Men and The Natural.

I can say without hesitation that I unabashedly love all of those movies, and love him in all of those movies.

As previously stated, Butch Cassidy and the Sundance Kid is popcorn perfection. Three Days of the Condor is a truly spectacular film and a glorious piece of 70’s paranoid cinema that I adore. All the President’s Men is a movie with undeniable momentum to it that compulsively compels. And finally, The Natural is, in my not-so-humble opinion, the greatest baseball movie ever made and also a phenomenal American myth that Redford perfectly embodies.

As much as I love those Redford films, the Redford movies that I find most intriguing are Downhill Racer, Jeremiah Johnson and The Candidate. These three films, all from the 70’s, show Redford giving his most complex performances, and are all really fantastic films that are often-overlooked.

The final movie I’d recommend is the lone late-period Redford movie that I think works well. The film is 2013’s All Is Lost directed by J.C. Chandor, which is about a man lost at sea by himself. Redford barely speaks at all in this movie, and it was a ballsy performance for him to undertake. I loved the film but others hated it. I think it’s worth watching now as it will take on particular profundity in the wake of Redford’s death.

Another movie some have mentioned is 2018’s The Old Man & the Gun, directed by David Lowery. I thought this film was a misfire, but I could see how it could be nice to indulge in its nostalgia now that Redford has passed away.

As for Redford as a filmmaker, I never really thought very much of his directorial skills. Redford was undoubtedly interested in independence and freedom for other filmmakers but as a filmmaker himself he was extraordinarily restrictive in his artistry.

The films Redford directed, Ordinary People (for which he won a best Director Academy Award), The Milagro Beanfield War, A River Runs Through It, Quiz Show, The Horse Whisperer, The Legend of Bagger Vance, Lions for Lambs, The Conspirator, and The Company You Keep, are all suffocatingly staid and cinematically conventional.

The lone Redford directed film that I would recommend is Quiz Show, and even that is a rather middlebrow piece of mainstream cinema that never quite rises to the heights you feel like it should.

Regardless of the merits or imperfections in Robert Redford’s acting and directing career, the truth is that anyone who enjoys movies, be they cinephiles or cineplex-goers, owe a huge debt of gratitude to Robert Redford. Without Robert Redford and his Sundance Film Festival and Institute, both the movie business and the art of cinema would be in much worse shape than they are today – and it;s important to remember that the Sundance Film Festival never happens if Robert Redford doesn’t become the Sundance Kid.

So, a big tip of the cowboy hat to the Sundance Kid on a job well done and a life well lived. Thanks for saving cinema…let’s hope that one day that it can rise from the ashes and once again be worthy of all you’ve done for it.

By the way…here is a 2013 article I wrote about Redford’s acting that you might find of interest.

Stillness: Lessons from Redford, DeNiro and Penn

©2025

UFO Week - The Program: A Documentary Review

UFO WEEK - THE PROGRAM

My Rating: 4 out of 5 stars

My Recommendation: SEE IT. An informative and worthy effort from James Fox, one of the very best ufo documentarians in the business.

Day five of UFO Week is here and today we review the highly anticipated new James Fox documentary, The Program, which was released on December 16th and is available on video on demand.

James Fox is unquestionably one of the very best ufo documentarians working today. He has made five UFO related documentaries in the last twenty-seven years, with The Program being his sixth.

Not all of Fox’s UFO documentaries have worked, but the ones that have, like Out of the Blue (2003), I Know What I Saw (2009) and The Phenomenon (2020), are among the very best ever made.

Fox’s most recent film, Moment of Contact, was a major disappointment as it never fully came together as a noteworthy cinematic venture, and so I was very apprehensive about his newest film.

I am glad to say that The Program, while not nearly as good as the masterpiece that is Out of the Blue, is certainly a top-notch document and important piece of the UFO puzzle for any interested in a serious examination of the topic.

The film, which runs a brisk one hour and forty-two-minutes, opens with a discussion of the “Wilson Memo”, a 2002 memo allegedly sent between Admiral Wilson and astrophysicist Eric Davis regarding the secret UFO programs run by various black budget government agencies in conjunction with aerospace and military contracting companies.

The story goes from there and includes discussions with such serious luminaries as Dr. Gary Nolan of Stanford University and Hal Puthoff, as well as lesser-known insiders like former intelligence agency analyst Lenval Logan, DOD research scientist Sarah Gamm, and former Asst Deputy Secretary of Defense Christopher Mellon.

Logan and Gamm in particular make for compelling subjects as they seem like smart people trying to tell the truth while trying to avoid saying anything that would violate any oaths or NDA’s they have signed.

Mellon has become a mainstay in UFO discussions and documentaries and he gives a good interview as he comes across as serious as can be without being a fanatic. That said, I’m a bit wary of the guy with his intelligence background and his insanely rich family background (he comes from the Mellon banking dynasty).

One of Fox’s real strong points as a filmmaker is his ability to properly pace a documentary. His good films flow with an effortlessness that is compelling, and The Program is no exception.

While Fox does appear in many of his films, he is most successful when he is not the protagonist, but just an observer/interviewer.

To his great credit, Fox is masterful with his direct yet easy-going interview style, and he gets the most out of his subjects as is possible.

Another subject examined in the film is the case of Gary McKinnon, a British hacker who broke into U.S. government computer systems searching for secret UFO stuff…and found it. And for his trouble he was arrested and faced extradition and life in prison in the U.S.

What McKinnon discovered hidden away in the government vaults, besides a crystal-clear photo of a UFO, was a list of “non-terrestrial officers” which included names. Quite the unnerving find.

The film then stays in the UK and transitions to a case in Calvine, Scotland where in August of 1990, two Scotsmen photographed a UFO. The British government confiscated their pictures…but one savvy officer held one for himself and kept for thirty years, finally releasing it in recent years.

The photo is extraordinarily good, the story of the two men who took it as told by one of their co-workers, is not. The co-worker sounds like a drunk making up a story as he goes along…and it would’ve been better leaving him on the cutting room floor entirely.

Another issue with the film is the story of Jason Sands, a former-USAF airmen who worked at infamous Area 51. Sands, who was vetted and recently gave private testimony to congress, has footage of a UFO at a firing range, and tells a strange story of an interaction with an alien.

Sands’ story of his alien interaction is definitely outlandish, but that doesn’t mean it isn’t true. Unfortunately, after having watched the film, I’ve since seen Sands interviewed elsewhere where he tells even more outrageous tales about having to execute an alien at the behest of his superiors in order to guarantee his silence about the program in which he worked. This story is just a bridge too far and makes Sands sound like a committed fabulist or a fabulist who should be committed. I wonder if he told that same tale to Fox and Fox wisely kept it out of his film or if it is a new revelation? Either way, I think in terms of credibility it probably would’ve been better for Fox to keep Sands out of his documentary entirely.

The final portion of the The Program deals with the deep state obstruction of disclosure and features the always reliable Rep. Tim Burchett and Mellon describing the undemocratic government within a government that keeps all the secrets. (As an aside about Burchett, I was recently watching an episode of Finding Bigfoot with my son, an Animal Planet reality tv series from the 2010s – and in one episode the crew goes to Knox County, Tennessee to search for bigfoot and the mayor of Knox County – good old Tim Burchett, is there to help out and discuss his interest in the subject. I wholly endorse him being named director of the Federal Department of the Weird, Wild and Wonderful.)

There’s also a very damning display from the repugnant Bill Nelson, a former Senator from Florida and now head of NASA, who puts on a bullshit display that is so transparently dishonest and full of bureaucratic bluster that it is painful to watch. That Fox himself questions Nelson in an open forum, and then does a split-screen between Nelson blatantly lying about whistleblower David Grusch, and Grusch speaking to congress, is a master stroke.

The reality is that deep state despots like Bill Nelson, Admiral Wilson and their ilk are the tyrants of our age. These unelected bullying bureaucrats run the security and surveillance state that is antithetical to democracy and a republic and keeps us in the dark and in our cage.

The Program is about the UFO programs that men like Nelson and Wilson control, and the knowledge they refuse to share because that knowledge is power and they will never give up their unearned power.

The Program is a solid, well-made documentary that is well-worth watching. Unfortunately, it is only available to purchase and not rent, and the purchase price is $17...pretty steep.

The film will no doubt be available to rent at a much cheaper price in the coming weeks, and as good as I think it is, I think it’s worth waiting to rent it a cheaper price than buy at a steep one.

The bottom line is this, The Program is a very good companion piece to Fox’s earlier films, Out of the Blue, I Know What I Saw and The Phenomenon. As a collection, these films make a great starting point for newbies to the subject, and an excellent library of information for more experienced ufologists.

©2024

UFO Week - Beyond: UFOs and the Unknown (MGM+) - A Documentary Review

BEYOND: UFOS AND THE UNKNOWN

My Rating: 4.5 out of 5 stars

My Recommendation: SEE. IT. NOW. One of the very best UFO documentaries I’ve seen. Highly informative and insightful. Well worth watching whether you’re a seasoned ufologist or a newbie to the topic.

It is day three of UFO Week here at the home office and things got off to a decidedly bumpy start with two less than stellar documentaries in day one and two.

Thankfully, day three is a gem.

The documentary today is Beyond: UFOs and the Unknown, a four-part documentary miniseries from JJ Abrams’ production company Bad Robot that released it’s first episode on October 27th and its last episode on November 8th.

Bad Robot released their first UFO documentary back in 2021, simply titled UFO, and I found it to be professionally made but underwhelming in a style over substance kind of way.

Beyond: UFOs and the Unknown is not underwhelming in the slightest. Simply said, it is exquisitely made, abundantly researched, and one of the very best documentaries on the subject I have ever seen.

The documentary series, which runs roughly four hours long in total, hits upon a myriad of angles related to the UFO topic. It examines it scientifically, historically, politically and spiritually.

If you’re looking for a murderer’s row of UFO experts Beyond: UFOs and the Unknown is the documentary miniseries for you.

The stellar first episode opens up with a bang with Dr. Gary Nolan, an esteemed medical professor at the prestigious Stanford University, speaking about his scientific and medical work with various intelligence agencies on deathly serious UFO-related topics.

It then dives into the bevy of sightings and experiences of Navy pilots who witnessed and recorded their interaction with various entities in the last twenty years…resulting in the Gimble and Go-Fast videos made famous in the New York Times article of 2017 that brought the UFO topic into the mainstream.

This episode features prominent Naval personnel like former pilot Ryan Graves, Rear Admiral Tim Galudet, as well as Leslie Kean, the journalist who wrote the NY Times piece in 2017, and Christopher Mellon, a former Deputy Assistant Secretary of Defense – and now prominent UFO disclosure advocate.

Also examined are the maze of various UFO programs in the Pentagon over the years and the mind-numbing acronyms that go along with them. As well as the very complex political situation around the subject, which is explained by Senator Kristen Gillibrand, who describes the military’s handling of the UFO situation, “duplicitous and inappropriate.” Wow.

Episode two delves into the history of ufology and features a who’s who of UFO heavy-hitters, like the godfather of ufology, Jacque Vallee, and the guy who knows where all the bodies are buried, PhD Hal Puthoff.

Also explored are the early days of ufology, including Donald Keyhoe’s important work and the curious case of J. Allen Hynek.

One of the most important things discussed in this episode is how it is the Navy pilots who are reporting UFO encounters, with nary a peep from the Air Force. The reasons why this might be are fascinating, not the least of which is that the intelligence agencies take a large chunk of the Air Force budget for black projects, so they are deeply intertwined with the Air Force…and not the Navy.

The other big topic in episode two is Whitley Strieber and alien abduction. Strieber, who was a novelist who was allegedly abducted in the 1980s in upstate New York and wrote a best-selling book about it titled “Communion”, was a catalyst for hundreds of thousands of regular people across the country to come forward with their abduction stories in letters to him after he published his book.

Strieber’s story is an intriguing and compelling one, and he is a terrific spokesperson - articulate, humble and serious.

This leads into episode three and four which feature Jeffrey Kripal, a professor of philosophy and religion at Rice University, who has begun to gather UFO source material from Strieber and Vallee among others in one place so that scientists and academics can do serious study of the subject without ridicule. He has also has begun conferences on esoteric subjects that brings together experts and experiencers to discuss once taboo subjects academically and scientifically.

Episodes three and four delve deeply into the metaphysical and spiritual aspects of UFOs and what they may be beyond physical objects, and what they may mean to science, philosophy and humanity going forward.

Episodes three and four are so rich with deeply serious and thoughtful discussions on elevated esoteric matters that they are worth watching over and over again…as is the rest of the series.

For seasoned followers of the UFO topic, Beyond: UFOs and the Unknown is a gloriously rich documentary that not only informs but seriously challenges.

For newcomers to the subject, this documentary is a great starting place if for no other reason than to give a brief glimpse at the scope and scale of the subject matter, and to do so with a seriousness that it deserves.

The biggest problem with Beyond: UFOs and the Unknown is that it is very difficult to find. The documentary is currently only available on the streaming service MGM+. Not only do I know no one who is a subscriber to MGM+, I myself had never heard of it until I went looking for Beyond: UFOs and the Unknown. That’s not a good thing because unless if you’re a UFO nerd like me, you wouldn’t know this documentary series exists, and therefore won’t ever stumble upon it unless you explicitly are looking for it.

Hopefully it will eventually become available to rent through Amazon or Apple in the future, but for now the best thing to do to see it is to sign up for MGM+…which will give you a free week before it’s month to month subscription at $6.99 kicks in. Watch Beyond: UFOs and the Unknown during your free week…in fact I’d recommend you watch it twice, like I did…and then cancel your subscription before you actually have to pay.

The bottom line is this…whether you’re a ufologist or a newbie, Beyond: UFOs and the Unknown is a must-watch documentary miniseries if you want to have a deeper understanding of the UFO phenomenon and topic. I highly recommend you put in the effort to find and to watch it because considering what is going on in our world at the moment, arming yourself with as much knowledge as you can is a very good idea.

©2024

UFO Week - Investigation Alien (Netflix): A Documentary Review

UFO WEEK - INVESTIGATION ALIEN

My Rating: 0 out of 5 stars

My Recommendation: SKIP IT.  An abysmally made mini-series that is allergic to insight and context. Total shitshow.

Investigation Alien, a six-part documentary mini-series that premiered on Netflix on November 8th, follows legendary reporter George Knapp as he and his team seek the truth of the UFO phenomenon.

George Knapp, for those who don’t know, is one of the most important journalists in the UFO community. Knapp was taking the UFO subject seriously back in the 1980’s as a television reporter for KLAS-TV in Las Vegas when no one in the mainstream media would touch it with a ten-foot pole. In fact, when Knapp was maybe the first legitimate journalist to cover the UFO topic without smirking and winking to let the audience know it was all a joke. To Knapp, and to a large audience, it isn’t a joke, and he covered it like a real news story.

Among the prominent stories that Knapp has brought forth are John Lear’s claims of the U.S. government having downed craft and bodies, much reporting on Area 51, reporting on bizarre happenings at Skinwalker Ranch, and his bombshell 1989 interview with Bob Lazar, who claimed to have worked at Area 51 on alien craft.

Knapp is still at the forefront of serious journalists reporting the UFO topic, and if you watched the recent congressional hearings with whistleblower David Grusch, you could see Knapp sitting directly behind him in the galley.

Knapp’s bona fides and his integrity when it comes to UFO reporting is unquestionable, so when I heard he had a Netflix documentary mini-series coming out, I was very excited.

Then I watched Investigation Alien.

This series is a devastating disappointment. It is so bad, so cheaply made, so derivative and dull, and frankly, so tawdry and stupid and such a brazen money-grab, that it has deeply damaged Knapp’s standing as a journalist, his integrity and has forever tarnished his legacy.

The series is poorly produced and shot like a second-rate reality series as it follows Knapp, and some superfluous and annoying underlings, as they go out seeking the truth about cattle mutilations, Brazilian UFO sightings and alien encounters, underwater anomalies off the Pacific coast, the Phoenix lights, and government cover-ups.

None of the six episodes is even remotely interesting or well-made, and in fact, some are so stupid they made me laugh out loud when I wasn’t cringing. No new information is presented, no insights gained, no compelling knowledge shared.

To give an indication of how ridiculous this series is, there’s a sequence where Knapp goes to talk to a “whistleblower” and they meet out in the middle of nowhere at night, with car lights the only illumination. The setting is obscenely absurd but is fitting as the whistleblower is a clown who fits right in with the reality tv circus that is Investigation Alien. If this were a genuine journalistic endeavor, instead of a tawdry money-grab, they’d meet the whistleblower in a hotel or office and keep him in shadow instead of putting on a dog and pony show meant to look like an adolescent spy thriller.

The cattle mutilation episode opens the series and is so painfully moronic and intellectually obtuse it made teeth hurt. Knapp goes to the Northwest to talk to two ranchers who’ve lost cattle to mutilation. No insight is given, no context supplied, no case built or presented.

Watching the first episode was a devastatingly deflating experience, and the rest of the series goes about as well as episode one. Getting through this idiotic mess of a mini-series is a complete slog.

I’ve spoken to multiple people with considerable knowledge on the UFO topic who have watched this series and the vast majority of them were at a minimum disappointed, and some of them loathed it with a furious passion.  Consider me among those in the latter category, as this series’ stupidity left me in an incandescent rage.

One well-informed ufologist I spoke to was so pissed about the series that he seriously thought that the show was intentionally bad at the behest of the powers that be who demanded Knapp scuttle his credibility and with it the ability of the general public to take the UFO topic seriously. I don’t know if that is true but I will say that the series is so bad that I can see how someone would think it is.

Knapp is partnered on a podcast, titled Weaponized, with documentarian Jeremy Corbell. Corbell and Knapp are one of the more prominent pairs in ufology - for example, Corbell too can be seen sitting in the front row of the congressional hearing featuring David Grusch, right next to Knapp.

It is very interesting to me that Corbell, despite being attached at the hip to Knapp the rest of his professional life,  is only seen very briefly in Investigation Alien. It is also curious that Corbell himself didn’t direct it, since he is a documentarian and has made a notable documentary on the UFO subject, titled Bob Lazar: Area 51 and Flying Saucers. It would seem from Corbell’s reticence to be in this ill-conceived and dismally executed Knapp series that he knew it was going to be a shitshow from the jump and was trying to salvage whatever credibility he could by keeping away from it. Wise move.

Ultimately, Investigation Alien is an unconscionably awful documentary mini-series that would set back the seriousness of the UFO topic decades if it weren’t for the real-time events happening in the world that prove it needs to be taken very seriously.

I cannot, under any circumstances, recommend Investigation Alien, even as an introduction to the topic of UFOs. The series is just too egregiously made and too unserious to be of any value even to newcomers.

©2024

Dispatches from the Shitshow - Biden, Trump and Election 2024

DISPATCHES FROM THE SHITSHOW – VOLUME ONE

So, it’s that time again where everybody loses their minds over the possibility that some craven asshole they don’t want to win a sham election beats the craven asshole they do want to win a sham election.

I’ve often said that our democracy is a joke because it’s an oligarchy and aristocracy that gives us the illusion of choice as to who will be the face of our diabolical, decadent and decaying empire, but no choice in its behavior or how it is actually run.

Voting for president is simply choosing who you want to host the reality tv/game show that is American politics for the next four years. Choose wisely because you’ll have the winner on your tv screens and in the center of conversation for the next four years.

Will you choose the demented, despicable, deplorable, disgustingly corrupt Donald Trump? Or will it be the demented, despicable, deplorable, disgustingly corrupt Joe Biden? Biden is everything wrong with American politics, and Trump is everything wrong with America.

Whoever you choose you’ll get lots of corporate-friendly decision-making, heaps of Zionist-controlled foreign policy, and a consistent assault upon your rights and liberties. Yay!!

The rancid choice foisted upon us this year is indicative of how far along in the American Empire’s decline we’ve come. That out of 350 million people we are stuck with an election between these two guys…again…is so lazy that it’s just a clear sign of a late-stage empire in a near free-fall collapse.

I’ve spoken to very few people about this election mostly because there are very few people left who will actually speak to me anymore.

Having not beaten the bushes in an attempt to get the sense of voter sentiment, I am left to my own devices - God help us all, and my sense of things pieced together by my usual media watchdogging.

Here are a few of my thoughts…take them for what they’re worth.

BIDEN

There is something very amusing about the fact that the mendacious mainstream media has been in a furious tizzy about the revelation that Biden is mentally compromised, which became blindingly obvious during the recent debate.

CNN and even MSNBC have the knives out because they feel “betrayed” by the Biden White House and staff who lied about his cognitive abilities.

Look, I’m an idiot and even I knew Biden was dementia-addled all the way back in 2019 and wrote about it…quite a bit. In fact, at one point I wrote a comedic article in which I described Biden exactly as “dementia-addled”, and after much hemming and hawing and decision making pushed up the chain of command, I was informed by the head of editorial at the publication that the term “dementia-addled” could not be used because I was not a doctor and therefore could not diagnose Biden with dementia. My only argument back was that I was “not a doctor…yet!” and that eliminating the term “dementia-addled” would neuter the joke I was trying to make (which I don’t even remember now). I was politely told that the joke must be sacrificed on the altar of journalistic integrity. Shrug.

Anyway, the point being that it was very apparent to anyone with two eyes and half a brain in their head that Biden wasn’t right in his head four years ago.

And don’t get me started on this “Biden has a stutter” bullshit. Biden doesn’t have a stutter…he has never had a stutter. He’s been a politician and public figure the entirety of his adult life and he has never shown signs of a stutter. The stutter story was made up as a marketing tool to deflect from his mental decrepitude and generate sympathy.

Here's another thing. Since the debate debacle there have been endless op-eds and talking heads pontificating on Biden’s status and his future and they all start out say the same thing, “Biden is a good, decent man…”. Ok, let’s be clear…Biden isn’t a “good man and decent man”…he is an incorrigible, power-hungry scumbag. Always has been and always will be.

And he’s also a compulsive, pathological liar. He lies so much he doesn’t even know when he’s lying anymore. Our historically illiterate populace doesn’t remember, or chooses not to remember, that in 1988 he had to drop out of the presidential race because he was caught plagiarizing speeches and making up fantastical stories about himself and his accomplishments.

Of course, the biggest lie that Biden is now telling is to himself in deluding himself into thinking he can actually live, nevermind govern, for another four years.

Here’s another thing that a lot of talking heads and dipshits on social media keep spouting, that Biden is “the greatest president of my lifetime!” What the actual fuck? I mean, I suppose this could be true if you were born in the last three to maybe eight years, but good lord what sort of depraved, delusional nonsense is this?

To be fair to these people, I literally cannot choose the “best president of my lifetime” because they have all been uniquely awful. I’ve lived through Nixon, Carter, Ford, Reagan, Bush I, Clinton, Bush II, Obama, Trump and Biden. That is a murderer’s row of douchebaggery, tomfoolery and incontinent incompetence that rivals any stretch of in-bred royalty in any country in the entirety of history.

Back to Biden…I have no idea if he voluntarily will step down or be forced from the ticket or the presidency or if he’ll still be breathing in November, but what I do know is that this guy is not all there. I have said this many, many times, and I’m not being facetious, but if Biden were your parent or grandparent or uncle, you’d be having very serious, in-depth discussions about finding a safe place for him to live because he obviously can’t take care of himself. You’d be conspiring on how to take his car keys away and figuring out what nursing home he can afford.

Does all this mean that Biden can’t win the election come November. No. He can still win this thing but only because people – and more importantly, people in power, hate Trump so much they’ll do anything, and I mean ANYTHING, to stop him. But more on that later.

TRUMP

I’ve never liked Donald Trump. From the first when he came to prominence in the 1980s, I thought he was a clown and phony flim-flam man who was play-acting at being somebody. This is a common malady among the silver-spoon set…but it must be said he isn’t alone among nepo-baby presidents who have suffered from this disease…see George W. Bush.

I loathe Trump as much as I loathe Biden, and for many of the same reasons. He’s a charlatan, con-man, carnival barking bullshit artist and fabulist who doesn’t have a fucking clue. Like Biden he has an inflated ego that knows no bounds and like Biden he is a corrupt and narcissistic creature who genuinely loathes the hoi polloi.

I’ve written about this before but it’s worth mentioning again that the thing that I find so darkly funny about Trump and the MAGA crowd is that they claim he is an outsider who is going to kick the deep state’s ass.

Apparently, a lot of people, both republican and democrat, don’t remember this but Trump was already president. He didn’t kick the deep state’s ass, he kissed it. And when he didn’t kiss it, they kicked his.

Trump isn’t so much an outsider to the establishment as he is an establishment figure who is hated by the establishment to such a degree they want him on the outside.

Remember Trump’s first term when he promised to “drain the swamp” and then filled his administration with the swampiest of swamp creatures? I do. Satan’s spawn John fucking Bolton was his national security advisor for chrissakes…I mean that’s as swamp creaturey as you can get.

And Trump will do the same thing if he wins this November. Hell, look at the cavalcade of cunts and clowns he’s considering for his VP pick. Nikki Haley? Marco Rubio? Jesus titty fucking Christ! These are the absolute worst of the worst swamp creatures!

Trump has also promised this time around to release all the files on the JFK assassination and UFOs that are currently classified. He promised the same thing regarding the JFK files during his first term and guess what happened? On the day before he was going to release the files the head of the CIA paid him a visit in the Oval Office and low and behold Trump reversed course and refused to release the documents. He isn’t going to release anything this time around either.

He's also reluctant to release the Epstein files…hmmm…I wonder why?

The one thing going for Trump is that, unlike Biden – who is only three years his elder, Trump actually looks vigorous. Of course, the down side of that is that his vitality only accentuates what a batshit fucking lunatic and mental and emotional midget he is.

2024 ELECTION

So, what do I think will happen in the election? I don’t know for sure…but I have a sense, and it goes against all conventional wisdom, so maybe it’s completely off, but I’ll share it anyway.

I have long railed against emotionalism in politics and political debate so it is more than ironic that I am basing my thoughts on the election on a vague “sense” rather than some data I’ve stumbled upon. But here we are.

My sense is this…that despite the plethora of polls and the overall sentiment among the intelligentsia in the country…I think Donald Trump will not be the next President of the United States. I simply cannot picture that happening.

Now the obvious counter to that would be to argue that I must be a Trump Derangement Syndrome sufferer and just hate him so much I am wishing he loses. This isn’t the case. Remember, in 2016 when everyone was saying Hillary would win, I said clearly that Trump would win and why he would win.

This time around I just sense that Trump will not be allowed to be president again because he is so hated by the political, media, and most importantly, intelligence community establishment.

The ground work has been done to demonize Trump to such a tremendous degree, with the endless wailing over “democracy being at risk” and this potentially being our “last election”, that the establishment will do anything, and I mean ANYTHING, to make sure Trump is kept out of the White House.

So, what does that mean specifically…well, it means that by hook or by crook he will not be sworn in come next January. Maybe Biden drops out and is replaced and the new candidate energizes the opposition to Trump and the polls reverse and Trump is defeated. Or maybe the same is true with Biden still heading the ticket and somehow he turns things around and wins. Or maybe something else…something less conventional, happens.

The intelligence community and their allies in the rest of government and media have tried to assassinate (in one form or another) Trump since his rise by various means and don’t kid yourself, they won’t stop now.

They tried to assassinate his character and therefore derail his political ambitions from the jump, but Trump is so shameless that no matter how exposed he gets he just shrugs it off and his fans love him all the more.

They’ve tried to assassinate his political ambitions through the legal system, but once again Trump’s shamelessness has made him immune from consequences and even more popular among his minions.

And it must be said that the weaponization of the legal system for political purposes is as anti-democratic as it gets, and that the democrats weeping and wailing over the possibility of Trump weaponizing the legal system against his opponents if he wins while they do exactly that is the height of hypocrisy.

Which leaves us with two other alternatives. The first is one that will be shrugged off but is the most likely…and that is that the election will simply be rigged to keep Trump out of power. I know, I know…this is ridiculous…except that it isn’t.

Elections are relatively easy to steal, and have been stolen throughout American history….be it JFK in 1960 or George W. Bush in 2000 and 2004. These things happen…and the people who are good at making them happen are the people who hate Trump the most….the intelligence community.

The CIA has stolen elections across the globe time and time again, and fomented coups and assassinated people they found inconvenient to their goals. If you think they won’t do it here you’re as out of your mind as Biden and Trump.

Ever since Trump was elected in 2016 the intel community had their knives out. The Russiagate nonsense…which was absolute and utter manufactured bullshit, was a creation of the intel community and used to deeply wound Trump’s presidency.

Another example were the BLM riots…there’s a great deal of evidence that there were federal agents mixed in with the rioters who instigated the most violent and destructive behavior, like looting and burning.

The same is true of January 6th, where the FBI had agents/assets among the masses protesting at the Capitol, who then turned that protest into a riot and overran the building.

And then there’s the mysterious white power groups that march, always masked and anonymous, at various spots to generate media attention. These people seem to me be obvious federals agents/assets meant to drum up turmoil and media attention. What is strange is that even when these people are detained by police they are never unmasked, and the media never dives deep to find out who they actually are.

This is all a long way of saying that the intel community is up to their usual games and they will do anything to eliminate Trump from power – for whatever reason.

The final thing that could happen is that, and let me be one thousand percent clear on this - I’m not calling for this or wishing for it nor do I support it, Trump could be killed.

I know, I know…I’m a conspiracy nut. But this is how the world works. Trump has been made into the ultimate enemy of American democracy, a Hitler in waiting who will never leave office once he gets in despite the fact that he already left office after his first term.

The existential angst coming from all corners of the media and democratic establishment has people in a frenzy, and if you don’t think this is a dangerous thing to do, you don’t know what the intelligence community are capable of.

Some “lone nut”, thinking they’re a patriot, could do something terrible and think it is righteous because they’ve been conditioned to think of Trump as Hitler.

I know democrats who hate Trump so much they want him dead, this is clear, and when things get that hot someone could very well go full Lee Harvey and cast the one vote that matters. Of course, it won’t be a “lone nut”, it’ll be an orchestrated and manipulated event by the people most committed to stopping Trump, but the “lone nut” narrative will be easy to sell.

The other thing is that Trump, a rather unhealthy 78-year-old, could drop dead from “natural causes” that I promise you won’t be natural at all. The intel community is good at this stuff and they will have the support of the media to tell whatever story they want.

Regardless of how it happens, my sense is that Trump will not be president again. This will come as a relief to the democrats in my life who are apoplectic at the thought of four more Trump years.

That said, I don’t know who will be president. I don’t even know if Biden makes it to election day. In fact, I don’t know much, and could be totally and completely wrong about everything I’ve just written, but what I do know for sure is that no matter who gets elected in November and who gets inaugurated in January, we’ll all be entirely fucked…that you can take to the bank.

©2024